Don Siegel
Donald Siegel | |
|---|---|
![]() Siegel in 1968 | |
| Born | October 26, 1912 Chicago, Illinois, U.S. |
| Died | April 20, 1991 (aged 78) Nipomo, California, U.S. |
| Alma mater | |
| Occupations |
|
| Years active | 1939−84 |
| Spouses | Doe Avedon
(m. 1957; div. 1975)Carol Rydall
(m. 1981) |
| Children | 5, including Kristoffer Tabori |
Donald Siegel (/ˈsiːɡəl/ SEE-gəl; October 26, 1912 – April 20, 1991) was an American film and television director, producer, and editor. He was described by The New York Times as "a director of tough, cynical and forthright action-adventure films whose taut plots centered on individualistic loners".[1]
He directed the science-fiction horror film Invasion of the Body Snatchers (1956), as well as five films with Clint Eastwood, including the police thriller Dirty Harry (1971) and the prison drama Escape from Alcatraz (1979). He also directed John Wayne's final film, the Western The Shootist (1976). Siegel's earlier film Riot in Cell Block 11 (1954) was noted as an influence on the development of auteur theory and the French New Wave.[2] One critic described him as "Hollywood's greatest genre director."[3]
Early life and education
Siegel was born in 1912 to a Jewish family[4] in Chicago; his father was Samuel Siegel, a mandolin player.[5] Siegel attended schools in New York, then moved to England to study at Jesus College, Cambridge and Royal Academy of Dramatic Art.[1] For a short time, he studied at Beaux Arts in Paris, but left at age 20 and later went to Los Angeles.[6]
Career
Siegel found work in the Warner Bros. film library after meeting producer Hal Wallis,[6] and later rose to head of the montage department, where he directed thousands of montages, including the opening montage for Casablanca. In 1945, two shorts he directed, Star in the Night and Hitler Lives, won Academy Awards, which launched his career as a feature director.[2] Siegel directed whatever material came his way, often transcending the limitations of budget and script to produce interesting and adept works. His 1954 prison thriller Riot in Cell Block 11, shot on-location at Folsom State Prison, was noted by auteurist critics of the French New Wave era,[2][7] and earned Siegel a Directors Guild of America Award nomination
He made the original Invasion of the Body Snatchers (1956), described by The Guardian in 2014 as a "fatalistic masterpiece" and "a touchstone for the sci-fi genre" which spawned three remakes.[8] For television, he directed two episodes of The Twilight Zone, "Uncle Simon" (1963) and "The Self-Improvement of Salvadore Ross" (1964), and was the producer of The Legend of Jesse James (1965).[9] He worked with Eli Wallach in The Lineup, Elvis Presley and Dolores del Río in Flaming Star (1960), with Steve McQueen in Hell Is for Heroes, and Lee Marvin in the influential The Killers (1964) before directing five of Eastwood's films that were commercially successful in addition to being well received by critics. These included the action films Coogan's Bluff and Dirty Harry, the Albert Maltz-scripted Western Two Mules for Sister Sara, the American Civil War melodrama The Beguiled, and the prison-break picture Escape from Alcatraz. Siegel also directed Charley Varrick starring Walter Matthau, which was originally slated for Eastwood, but ultimately turned down by the actor.
He was a considerable influence on Eastwood's own career as a director, and Eastwood's film Unforgiven is dedicated "for Don and Sergio".
Siegel had a long collaboration with composer Lalo Schifrin, who scored five of his films: Coogan's Bluff, The Beguiled, Dirty Harry, Charley Varrick, and Telefon. Schifrin composed and recorded what would have been his sixth score for Siegel on Jinxed! (1982), but it was rejected by the studio despite Siegel's objections. This conflict was one of several fights Siegel had on his last film.[10]
Siegel was also important to the career of director Sam Peckinpah. In 1954, Peckinpah was hired as a dialogue coach for Riot in Cell Block 11. His job entailed acting as an assistant to the director, Siegel. The film was shot on location at Folsom Prison. Siegel's location work and his use of actual prisoners as extras in the film made a lasting impression on Peckinpah. He worked as a dialogue coach on four additional Siegel films: Private Hell 36 (1954), An Annapolis Story (1955), Invasion of the Body Snatchers (1956), and Crime in the Streets (1956).[11] Twenty-five years later, Peckinpah was all but banished from the industry due to his troubled film productions. Siegel gave the director a chance to return to filmmaking. He asked Peckinpah if he would be interested in directing 12 days of second unit on Siegel's Jinxed! film. Peckinpah immediately accepted, and his earnest collaboration with his longtime friend was noted within the industry. While Peckinpah's work was uncredited, it led to his hiring as the director of his final film The Osterman Weekend (1983).[12][13]
Cameos
Siegel had a small role as a bartender in Eastwood's Play Misty for Me, and in Dirty Harry. In Philip Kaufman's 1978 Invasion of the Body Snatchers, a remake of Siegel's 1956 film, he appears as a taxi driver. In Charley Varrick, he has a cameo as a ping-pong player. He also appears in the 1985 John Landis film Into the Night. Siegel also has a small role in The Killers.
Honors
Siegel received Lifetime Achievement honors from the Los Angeles Film Critics Association and the Telluride Film Festival.
Personal life
Siegel and actress Viveca Lindfors were married from 1948 to 1953. They had a son, Kristoffer Tabori. He married Doe Avedon in 1957. They adopted four children and then divorced in 1975. Siegel then married Carol Rydall, a former secretary to Clint Eastwood.
Death
Siegel at age 78 from cancer in Nipomo, California. Siegel is buried near Highway 1 in the coastal Cayucos-Morro Bay District Cemetery. He was an atheist.[14]
Filmography
Feature films
Other production credits
| Year | Title | Notes |
|---|---|---|
| 1939 | Confessions of a Nazi Spy | Montage editor |
| The Roaring Twenties | ||
| 1940 | Brother Orchid | |
| All This, and Heaven Too | ||
| They Drive by Night | ||
| Knute Rockne, All American | ||
| 1941 | Meet John Doe | |
| One Foot in Heaven | ||
| Blues in the Night | ||
| They Died with Their Boots On | ||
| Sergeant York | 2nd unit director | |
| 1942 | Now, Voyager | Montage editor |
| George Washington Slept Here | ||
| Gentleman Jim | ||
| Across the Pacific | ||
| Casablanca | ||
| 1943 | The Hard Way | |
| Edge of Darkness | ||
| Mission to Moscow | Montage editor/2nd unit director | |
| This Is the Army | Montage editor | |
| Northern Pursuit | 2nd unit director | |
| 1944 | The Adventures of Mark Twain | Montage editor |
| To Have and Have Not | 2nd unit director | |
| The Conspirators | ||
| 1945 | Saratoga Trunk | Montage editor/2nd unit director |
| 1946 | Devotion | Montage editor |
| 1949 | All the King's Men | 2nd unit director |
Television
| Year | Title | Functioned as | Network | Notes | |
|---|---|---|---|---|---|
| Director | Producer | ||||
| 1952-53 | The Doctor | Yes | No | NBC | 3 episodes |
| 1955 | Frontier | Yes | No | 1 episode | |
| 1957 | Code 3 | Yes | No | Syndication | |
| 1959 | Adventure Showcase | Yes | No | CBS | |
| 1960 | Alcoa Theatre | Yes | No | NBC | |
| 1961 | Bus Stop | Yes | No | ABC | |
| 1963 | The Lloyd Bridges Show | Yes | No | CBS | |
| Breaking Point | Yes | No | ABC | ||
| 1963-64 | The Twilight Zone | Yes | No | CBS | 2 episodes[b] |
| 1964 | Destry | Yes | No | ABC | 1 episode |
| The Hanged Man | Yes | No | NBC | TV movie | |
| 1965 | Convoy | Yes | Yes | 1 episode | |
| 1965-66 | The Legend of Jesse James | Yes | Yes | ABC | Director; 1 episode Producer; 34 episodes |
| 1967 | Stranger on the Run | Yes | No | NBC | TV movie |
Notes
- ^ The Directors Guild of America pseudonym 'Alan Smithee' was created for this film.
- ^ "Uncle Simon" and "The Self-Improvement of Salvadore Ross".
References
- ^ a b Flint, Peter B. (April 24, 1991). "Don Siegel, Whose Movies Herald Tough, Cynical Loners, Dies at 78". The New York Times. Retrieved June 20, 2020.
- ^ a b c Meisler, Stanley (June 12, 1985). "Passionate Affair : For French, Filmgoing Is de Rigueur". Los Angeles Times. Retrieved March 24, 2026.
- ^ "Western Fidelity: The Cinema of Don Siegel". MUBI. April 27, 2020. Retrieved March 24, 2026.
- ^ Erens, Patricia (August 1988). The Jew in American Cinema. Indiana University Press. p. 392. ISBN 978-0-253-20493-6.
- ^ "Illinois, Cook County, Birth Certificates, 1871-1949". FamilySearch. Donald Siegel, 26 Oct 1912. Retrieved January 6, 2024.
- ^ a b Munn, p. 75
- ^ "Don Siegel Profile". Turner Classic Movies. Retrieved March 24, 2026.
- ^ Patterson, John (October 27, 2014). "Invasion Of The Body Snatchers: Don Siegel's fatalistic masterpiece". The Guardian. Retrieved June 20, 2020.
- ^ Alvin H. Marill (June 2011). Television Westerns: Six Decades of Sagebrush Sheriffs, Scalawags, and Sidewinders. Scarecrow Press. ISBN 9780810881334. Retrieved June 20, 2020.
- ^ Reported by the Los Angeles Times in 1982.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 116–119. ISBN 0-8021-3776-8.
- ^ Weddle, David (1994). If They Move...Kill 'Em!. Grove Press. pp. 534–535. ISBN 0-8021-3776-8.
- ^ "Jinxed!". imdb.com. Retrieved March 6, 2012.
- ^ David Robinson, 'Don Siegel's stories', The Times, 1 May 1975; pg. 11; Issue 59384; col E.
Further reading
- Munn, Michael (1992). Clint Eastwood: Hollywood's Loner. London: Robson Books. ISBN 0-86051-790-X.
