Saint Rosalia

Saint

Rosalia
The Coronation of Saint Rosalia by van Dyck
Virgin
Born1130 (1130)
Palermo, Kingdom of Sicily
Died1166 (aged 35–36)
Mount Pellegrino, Kingdom of Sicily
Venerated inCatholic Church
Feast
  • 4 September
Attributescross, book, skull, spray of lilies[1], chisel and hammer, crown of roses, attended by winged angels, cave opening of Palermo Harbour
Patronage

Rosalia (Italian: [rozaˈliːa]; Sicilian: Rusulìa; 1130–1166), nicknamed la Santuzza ("the Little Saint") was a virgin and hermit on Monte Pellegrino. She is venerated as the patron saint of Palermo in Italy, Camargo in Chihuahua, and three towns in Venezuela: El Hatillo, Zuata, and El Playón. She is especially invoked in times of plague. During the COVID-19 pandemic, she was invoked by some citizens of Palermo to protect the city.[2]

Life

Rosalia was born of a Norman noble family that claimed descent from Charlemagne. Devoutly religious, she retired to live as a hermit in a cave on Mount Pellegrino, where she died alone in 1166. Tradition says that she was led to the cave by two angels. On the cave wall, she wrote "I, Rosalia, daughter of Sinibald, Lord of [Monte] delle Rose, and Quisquina, have taken the resolution to live in this cave for the love of my Lord, Jesus Christ."[3]

1624 plague

In 1624, a plague beset Palermo. During this hardship Rosalia reportedly appeared first to a sick woman, then to a hunter, to whom she indicated where her remains were to be found. She ordered him to bring her bones to Palermo and have them carried in procession through the city.[4]

The hunter climbed the mountain and found her bones in the cave as described. He did what she had asked in the apparition. After her remains were carried around the city three times, the plague ceased. After this Rosalia was venerated as the patroness saint of Palermo, and a sanctuary was built in the cave where her remains were discovered.[5]

Her post-1624 iconography is dominated by the work of the Flemish painter Anthony van Dyck, who was trapped in the city during the 1624–1625 quarantine, during which time he produced five paintings of Rosalia, now in Madrid, Houston, London, New York and Palermo itself. In 1629 he also produced Saint Rosalia Interceding for the City of Palermo and Coronation of Saint Rosalia to assist Jesuit efforts to spread devotion to her beyond Sicily.[6]

Context and religious devotion

Saint Rosalia lived in the twelfth century, during the Norman Kingdom of Sicily. This kingdom came to be after the Normans conquered the region in the eleventh century. Sicily became a strong and well-organized kingdom under King Roger II and his successors.[7] One unique thing about Sicily was its diversity. According to The Society of Norman Italy, Sicily was made up of a mixed religious population that included Christians, Greek Christians, Muslims, and Jews. This diversity shaped the people on the island and made Sicily different from the majority of the other European city-states at the time. [8]

Saint Rosalia fits into this diverse religious culture in a significant way. She was born into a noble family but chose to give up that life to dedicate herself to God.[9] She became a hermit and lived in isolation in a cave on Mount Pellegrino in Palermo. This type of life was especially admired at this time because it showed true sacrifice and complete devotion to the Lord.[8] This is a strong example of how older traditions from the medieval period continued to shape people’s beliefs in later centuries. The discovery of her remains also connects back to the Norman period. Looking at what Saint Rosalia meant to her people, she represents several important values of Norman Sicilian society. Her life of devotion and isolation reflects the importance of religion, and her connection to Palermo shows how local identity mattered. In a diverse society with many different cultures, saints helped create a sense of unity. Saint Rosalia gave the Sicilian people a sense of protection and hope. [8]

Palermo’s location is also very important for understanding Rosalia as a saint. Palermo was and still is the capital of the kingdom and one of the most important cities in the Mediterranean due to its central location. Because of this, Sicily had connections to most of Europe, North Africa, and the Byzantine Empire. [10]This meant that different cultures, languages, and religions were constantly interacting. This connected and diverse environment made it necessary for people to share beliefs and practices, and religion became one of the main ways to do that.[11] Religion played a central role in shaping the cultural context of Saint Rosalia. In medieval Sicily, people strongly believed in the power of saints to help in everyday life. Saints were seen as protectors who could perform miracles, such as healing the sick, and save cities from suffering. The fact that most people believed this shows that devotion to saints was not a small part of their culture; it was a key belief in their society. [8]

Rosalia’s cult filled a devotional and political need in Sicily, reinforcing community and trust in divine protection. Today, there are still celebrations of Saint Rosalia in multiple countries. These celebrations continue to praise her, illustrating the hope that she brought during tough times. Historians often debate whether this cult represented the revival of an older tradition or a response to crisis. In either case, Rosalia’s veneration filled a social and political need, reinforcing identity and resilience. Now, her cult remains central to Sicilian society and memory, illustrating how medieval traditions can be reshaped to address early modern challenges.[2][8]

Veneration

Float of Saint Rosalia beside the Archbishops' Palace and Cathedral of Palermo, Italy
Float of Saint Rosalia in Palermo, Italy

In Palermo, the Festino di Santa Rosalia is held each year on 14 July, and continues into the next day.[10] It is a major social and religious event in the city.

A statue of St. Rosalia carried through the streets of Bivona, Sicily

The feastday of St. Rosalia is on 4 September.[3]

The devotion to Santa Rosalia is widespread among the large and mainly Hindu Tamil community of Sri Lankan origin settled in Palermo.[12][13][14]

On 4 September, a tradition of walking barefoot from Palermo up to the Sanctuary of Santa Rosalia high up on Mount Pellegrino is observed in honor of Rosalia.[15] In Italian-American communities in the United States, the July feast is generally dedicated to Our Lady of Mount Carmel[4] while the September feast, beginning in August, brings large numbers of visitors annually to the Bensonhurst section of Brooklyn in New York City.[16]

Saint Rosalia statue, Monterey, California

Santa Rosalia is venerated as the patroness of the Italian sardine fishing fleet in Monterey, California.[17][11]

Also, although St. Rosalia lived in a period after the Great Schism, some Orthodox faithful today recognise and venerate her as a saint.[18][19][20]

In biology

The ecstasy of Saint Rosalia of Palermo by Theodoor Boeyermans

Rosalia was proposed as the patron saint of evolutionary studies in a paper by G.E. Hutchinson.[21] This was due to a visit he paid to a pool of water downstream from the cave where St. Rosalia's remains were found, where he developed ideas based on observations of water boatmen.[22]

In art

Saint Rosalia was an important subject in Italian Renaissance and Baroque painting, particularly in sacre conversazioni (group pictures of saints flanking the Virgin Mary) by artists such as Riccardo Quartararo, Mario di Laurito, Vincenzo La Barbara, and possibly Antonello da Messina.[9]

It was the Flemish master Anthony van Dyck (1599–1637), who was caught up in Palermo during the 1624 plague, who produced the most paintings of her. His depictions – a young woman with flowing blonde hair, wearing a Franciscan cowl and reaching down toward the city of Palermo in its peril – became the standard iconography of Rosalia from that time onward. Van Dyck's series of St. Rosalia paintings have been studied by Gauvin Alexander Bailey and Xavier F. Salomon, both of whom curated or co-curated exhibitions devoted to the theme of Italian art and the plague.[23][7][24] In March 2020, The New York Times published an article about the Metropolitan Museum of Art's painting of Saint Rosalia by Van Dyck in the context of COVID-19.[25]

Van Dyck also made designs for prints which were engraved by Philips van Mallery for the publication Vita S. Rosaliae Virginis Panormitanae Pestis Patronæ iconibus expressa, which was published by Cornelis Galle the Elder in Antwerp in 1629. Only a few copies of the work, which recounts the life of Saint Rosalia, survive.[26]

See also

References

  1. ^ Stracke, Richard (20 October 2015). "Rosalia of Palermo". Christian Iconography.
  2. ^ a b Tondo, Lorenzo (13 March 2020). "Palermo pins hopes on patron saint to rid Italy of coronavirus". The Guardian – via www.theguardian.com.
  3. ^ a b "St. Rosalia". Catholic Online. Retrieved 12 July 2018.
  4. ^ a b Vaudoise, Mallorie (4 September 2017). "Santa Rosalia". ItalianFolkMagic.com. Retrieved 8 March 2026.
  5. ^ For the great expansion of Rosalia's popular cult in Italy as a result of the 1624 plague, see Franco Mormando, "Response to the Plague in Early Modern Italy: What the Primary Sources, Printed and Painted, Reveal" in Hope and Healing: Painting in Italy in a Time of Plague, 1500–1800, ed. G. Bailey, P. Jones, F. Mormando, and T. Worcester, Worcester, Massachusetts: The Worcester Art Museum, 2005, pp. 32–34.
  6. ^ (in Italian) Fiorenza Rangoni Gàl, Lo "Sposalizio mistico di S. Rosalia" nella chiesa del S. Salvatore a Vercana. Un problema risolto? Con alcune considerazioni sulla elaborazione dell’iconografia rosaliana di Anton van Dyck (2ª parte), in Quaderni della biblioteca del convento francescano di Dongo, Dicembre 2013, pp. 54-63.
  7. ^ a b Bailey, Gauvin Alexander (1 March 2012). "Van Dyck in Sicily: while the plague held Palermo in its grip, Anthony van Dyck radically developed 12th-century iconography of Saint Rosalie through five paintings that imbued her with a sensual refinement. Van Dyck's Rosalie became one of Catholicism's most popular images of victory over pestilence, and represents a key period in the artist's development". Apollo. 175 (596): 116–122 – via go.gale.com.
  8. ^ a b c d e Loud, G. A.; Metcalfe, Alex, eds. (2002). The Society of Norman Italy. The Medieval Mediterranean. Leiden Boston: BRILL. ISBN 978-90-474-0146-9.
  9. ^ a b Gauvin Alexander Bailey, "Anthony van Dyck, the Cult of Saint Rosalie, and the 1624 Plague in Palermo," in Gauvin Alexander Bailey et al., Hope and Healing: Painting in Italy in a Time of Plague (Worcester and Chicago, 2005): 118–36.
  10. ^ a b Bommarito, Maria Lina (13 July 2014). "The "Festino" of Santa Rosalia in Palermo". Times of Sicily. Retrieved 16 July 2017.
  11. ^ a b "Crescent Brand Sardine Company Historical Marker". www.hmdb.org. Retrieved 14 July 2025.
  12. ^ Salerno, Rossana (2016), "Sri Lanka to Monte Pellegrino: The Tamil People and Santa Rosalia", ISA 3rd Forum of Sociology, International Sociological Association
  13. ^ Colosi, Francesca (16 April 2000). "Santa Rosalia adottata dai tamil L'abbiamo ricoperta d'oro". la Repubblica (in Italian). Palermo. Retrieved 12 August 2021.
  14. ^ "In Palermo, a Catholic Saint Joins the Hindu Pantheon (Published 2024)". 3 August 2024. Retrieved 10 September 2025.
  15. ^ Bommarito, Maria Lina (3 September 2014). "The Mount Pellegrino Climb in Honor of Santa Rosalia". Times of Sicily. Retrieved 12 July 2018.
  16. ^ Sperling, Jonathan (9 August 2017). "Bensonhurst gears up for 42nd Annual Feast of Santa Rosalia". Brooklyn Reporter. Retrieved 12 July 2018.
  17. ^ "Festa Italia Foundation". festaitaliamonterey.org. Retrieved 14 July 2025.
  18. ^ "Ανήμερα εορτής της Οσίας Ροζαλίας στην Σλοβακία". ROMFEA (in Greek). Retrieved 30 August 2025.
  19. ^ "Οσία Ροζαλία η Παρθένος, η εν Πανόρμω (Παλέρμο) της Σικελίας" (in Greek). Retrieved 30 August 2025.
  20. ^ Kuzmyk, Vasyľ (3 March 2019). "Ostatky sv. Rozálie v Košiciach". Oficiálna stránka - Pravoslávnej cirkvi na Slovensku (in Slovak). Retrieved 30 August 2025.
  21. ^ Hutchinson, G. E. (1 May 1959). "Homage to Santa Rosalia or Why Are There So Many Kinds of Animals?". The American Naturalist. 93 (870): 145–159. Bibcode:1959ANat...93..145H. doi:10.1086/282070. ISSN 0003-0147. JSTOR 2458768. S2CID 26401739.
  22. ^ Hutchinson, G.E. (May–June 1959). "Homage to Santa Rosalia or Why Are There So Many Kinds of Animals?". The American Naturalist. 93 (870): 145–149. Bibcode:1959ANat...93..145H. doi:10.1086/282070. JSTOR 2458768. S2CID 26401739.
  23. ^ Cotter, Holland (29 July 2005). "Desperately Painting the Plague". The New York Times.
  24. ^ "2012: Van Dyck in Sicily | Dulwich Picture Gallery". www.dulwichpicturegallery.org.uk.
  25. ^ Farago, Jason (26 March 2020). "The Saint Who Stopped an Epidemic Is on Lockdown at the Met". The New York Times.
  26. ^ Jeremy Wood, 'Sir Anthony van Dyck’, in the Oxford Dictionary of National Biography, ed. H.C.G. Matthew and Brian Harrison, Oxford, 2004, XVII, pp. 466–475
Wikimedia Commons logo
Wikimedia Commons has media related to Saint Rosalia.
This article is issued from Wikipedia. The text is available under Creative Commons Attribution-Share Alike 4.0 unless otherwise noted. Additional terms may apply for the media files.