歐陸節拍

欧陆节拍
Eurobeat
欧陆节拍; Eurobeat
風格起源	高能量音乐; 意大利迪斯科; 流行舞曲; 合成器摇滚;
文化起源	英国欧陆节拍：; 20世纪80年代中期，英国; 当代欧陆节拍：; 20世纪80年代后期義大利、西德、日本
融合類型
	日本流行音乐
地區樂壇
	英国; 意大利; 日本; 西德;
其他主題
	日本流行; 啪啦啪啦（Para Para）; 合成波; 斯托克·艾特肯·沃特曼;

欧陆节拍（英語：Eurobeat）是一种音乐类型，可以指两种起源于欧洲的舞曲音乐风格：一种是受意大利欧陆迪斯科影响的英国舞曲流行乐，另一种是以高能量音乐为主导的意大利迪斯科舞曲。这两种形式均在20世纪80年代開始发展。

制作人三人组斯托克·艾特肯·沃特曼和流行乐队Dead or Alive（直译：死或活）使欧陆节拍在美国和东南亚更加流行；在那里，欧陆节拍曾被称为高能量（hi-NRG，发音为“high energy”，直译：高能量）。它曾短暫与早期的自由式音乐和意大利迪斯科共享这个名称。

虽然源自欧洲，欧陆节拍传到日本后因为合成音乐及活泼的风格而大受欢迎，日本也成為該風格的主要市场^[6]。

歐陸節拍也因作為重野秀一的漫畫《頭文字D》的動畫版中賽車的配樂而廣為人知。

音乐

^[1]

代表歌手及組合

歐洲

理查德·艾斯利
戴夫·羅傑斯
肯·拉士洛
阿爾貝托·孔蒂尼
亞莉珊德拉·米爾卡·加蒂
布雷特·辛克萊爾
芭娜娜拉瑪
法比奧·利奧內
瓦倫蒂娜
丹妮拉·蓋利
克莉絲汀娜·庫奇
安·李
索尼婭
斯尼塔
King & Queen
安德烈·古賓

美洲及澳洲地區

亞倫·福德
奇可·羅瑞洛
凱莉·米洛
傑森·多諾萬
泰勒·戴恩

日本

台灣

脚注

^ Italy is a Eurobeat "Mecca" to either variant of Eurobeat; first produced in Italy^[3]and West Germany.^[3]；翻译：意大利是Eurobeat的“圣地”，也是Eurobeat两种变体音乐流派的发源地；它最早产生于意大利和西德。

参见

歐陸舞曲

参考文献

^ ^1.0 ^1.1 Arena, James. Europe's Stars of '80s Dance Pop. McFarland. 2017: 85 [2020-01-29]. ISBN 9781476630144. . Relevant pages 29-32 (Pete Burns), Pages 44 & 85 (high-energy music). Page 29 quote: "I got really sick working with them during the making of the Mad, Bad album. I got really, really sick." [...] The Stock Aitken Waterman team was reportedly quite firm about adhering to their production methods and concepts, which Burns said was a major source of friction. "That's why we eventually walked away from them. For instance, there was a lyric from 'Something in My House' [from the follow-up album, Mad, Bad and Dangerous to Know] where I make a reference to a 'wicked queen.' The actual producer, Mike Stock, stopped me and said I couldn't use the term because it would mean the record is about gay people. I was like, 'Fuck this; it's going on!' They actually wiped the original vocal, but then Pete Waterman came back and said, 'Let [Burns] do it the way he wants to.' There you go."
^ Cunningham, Mark "Good Vibrations: A History of Record Production" (Sanctuary Music Library), Alan Parson (Introduction), Brian Eno (Introduction) Sanctuary Publishing, Ltd; 2 edition (1998, Digitized 20 May 2010). ISBN 1-86074-242-4, ISBN 978-1-86074-242-2
^ ^3.0 ^3.1 David D. Laitin, Robert Schuman Centre (2000). Culture and National Identity: "the East" and European Integration. European University Institute. Page 14.
^ Keizai, Kokusai & Zaidan, Kōryū (cont.) "Japan Spotlight: Economy, Culture & History, Volume 23". Page 24 (Ng Wai-ming: "The Rise of J-Pop in Asia and Its Impact"). Japan Economic Foundation & the University of California. 2004. Quote: "JAPANESE pop music is commonly I referred to as "J-pop", a term coined by Tetsuya Komuro the "father of J-pop", in the early 1990s. The meaning of J-pop has never been clear. It was first limited to Euro-beat, the kind of dance music that Komuro produced. However, it was later also applied to many other kinds of popular music in the Japanese music chart, Oricon, including idol-pop, rhythm and blues (R&B), folk, soft rock, easy listening and sometimes even hip hop."
^ Society for Asian Music (2003). "Asian Music: Journal of the Society for Asian Music, Volume 34, Issue 1". Page 1 ("Japanese Popular Music in Singapore"). The University of California.
^ Avex Trax , J-EURO （页面存档备份，存于互联网档案馆）（日語）

[4] Italy is a Eurobeat "Mecca" to either variant of Eurobeat; first produced in Italy^[3]and West Germany.^[3]；翻译：意大利是Eurobeat的“圣地”，也是Eurobeat两种变体音乐流派的发源地；它最早产生于意大利和西德。

[Arena-1] 1.0 ^1.1 Arena, James. Europe's Stars of '80s Dance Pop. McFarland. 2017: 85 [2020-01-29]. ISBN 9781476630144. . Relevant pages 29-32 (Pete Burns), Pages 44 & 85 (high-energy music). Page 29 quote: "I got really sick working with them during the making of the Mad, Bad album. I got really, really sick." [...] The Stock Aitken Waterman team was reportedly quite firm about adhering to their production methods and concepts, which Burns said was a major source of friction. "That's why we eventually walked away from them. For instance, there was a lyric from 'Something in My House' [from the follow-up album, Mad, Bad and Dangerous to Know] where I make a reference to a 'wicked queen.' The actual producer, Mike Stock, stopped me and said I couldn't use the term because it would mean the record is about gay people. I was like, 'Fuck this; it's going on!' They actually wiped the original vocal, but then Pete Waterman came back and said, 'Let [Burns] do it the way he wants to.' There you go."

[2] Cunningham, Mark "Good Vibrations: A History of Record Production" (Sanctuary Music Library), Alan Parson (Introduction), Brian Eno (Introduction) Sanctuary Publishing, Ltd; 2 edition (1998, Digitized 20 May 2010). ISBN 1-86074-242-4, ISBN 978-1-86074-242-2

[ECI-3] 3.0 ^3.1 David D. Laitin, Robert Schuman Centre (2000). Culture and National Identity: "the East" and European Integration. European University Institute. Page 14.

[5] Keizai, Kokusai & Zaidan, Kōryū (cont.) "Japan Spotlight: Economy, Culture & History, Volume 23". Page 24 (Ng Wai-ming: "The Rise of J-Pop in Asia and Its Impact"). Japan Economic Foundation & the University of California. 2004. Quote: "JAPANESE pop music is commonly I referred to as "J-pop", a term coined by Tetsuya Komuro the "father of J-pop", in the early 1990s. The meaning of J-pop has never been clear. It was first limited to Euro-beat, the kind of dance music that Komuro produced. However, it was later also applied to many other kinds of popular music in the Japanese music chart, Oricon, including idol-pop, rhythm and blues (R&B), folk, soft rock, easy listening and sometimes even hip hop."

[6] Society for Asian Music (2003). "Asian Music: Journal of the Society for Asian Music, Volume 34, Issue 1". Page 1 ("Japanese Popular Music in Singapore"). The University of California.

[avex-7] Avex Trax , J-EURO （页面存档备份，存于互联网档案馆）（日語）

[1]

[2]

[a]

[4]

[5]

[6]

[3]

欧陆节拍 Eurobeat
風格起源	高能量音乐^[1]^[2] 意大利迪斯科^[a] 流行舞曲合成器摇滚
文化起源	英国欧陆节拍： 20世纪80年代中期，英国当代欧陆节拍： 20世纪80年代后期義大利、西德、日本
融合類型
日本流行音乐^[4]^[5]
地區樂壇
英国意大利日本西德
其他主題
日本流行啪啦啪啦（Para Para）合成波斯托克·艾特肯·沃特曼